1. Hu, Tingting (2021 forthcoming monograph): Victim, Perpetrator and Professional: The Representation of Women in Chinese Crime Films. London: Sussex Academic Press.
  2. Guan, Tianru & Tingting Hu (2020 forthcoming): Re-narrating non-intervention policy in China’s military-action genre films, Journal of Contemporary China, accepted 12 August 2020.
  3. Wang, Yue & Tingting Hu (2021 forthcoming): Transmedia storytelling in mainland China: The “double entanglement” from the TV drama to fan narratives – The case of The Disguiser. In Filippo Gilardi & Celia Lam (eds.) Transmedia Storytelling in Asia and Pacific Region, Palgrave Macmillan, accepted 20 December 2018.
  4. Hu, Tingting & Yue Wang (2020): Who is the counterpublic? Bromance-as-masquerade in Chinese online drama – S.C.I. Mystery, Television and New Media, DOI:10.177/152746420937262
  5. Guan, Tianru & Tingting Hu (2020): The conformation and negotiation of nationalism in China’s political animations—a case study of Year Hare Affair, Continuum. DOI:10.1080/10304312.2020.1724882
  6. Hu, Tingting (2019) Transgression as a Postfeminist Masquerade: The Representation of Female Perpetrators in Hong Kong Crime Films, Asian Studies Review, 43:4, 710-727, DOI: 10.1080/10357823.2019.1663406
  7. Hu, Tingting (2020) Which position is proper? The representation of the policewoman in the Hong Kong film Breaking News, Feminist Media Studies, 20:6, 753-767, DOI: 10.1080/14680777.2019.1643386



Feminist Media Studies (SSCI女性研究索引 二区)
Continuum (SSCI 文化研究索引 三区)
Television and New Media (SSCI 传播学索引 四区)

澳大利亚中国研究协会Chinese Studies Association of Australia (CSAA)
澳大利亚亚洲研究协会Australian Association of Asian Studies (AAAS)
国际电影与媒体研究协会Society of Cinema and Media Studies (SCMS)
媒体传播与文化研究协会Media, Communication and Cultural Studies Association (MeCCSA)
国际媒体与历史协会The International Association for Media and History (IAMHIST)